When I started putting the Snowbirds quilt, designed by Wendy Sheppard, together for my soon-to-be-born daughter, I never dreamt it would take me three years to finish. Talk about a UFO (or PIG, as Lori Baker would call it). I suppose that’s not really a long time for some people, but I’m not one to let projects marinate, so for me, this was far overdue.
A couple more things I didn’t foresee when I set out to make this quilt:
- turning this quilt (meant to finish at 40″ x 49″) into a toddler-worthy quilt (I added an extra border) and
- quilting it on a longarm quilting machine
Once I finished piecing the quilt top (whew!), our office had already received a Q’nique 14+ Quilter. I was excited to try it but hesitant to possibly ruin my now eldest daughter’s quilt with shoddy quilting by yours truly. But, after taking it for a test drive, I was hooked. I had to quilt it on this glorious machine.
And, quilt it, I did! I thought I’d share some beginner tips with you since I learned a lot on my adventure. Nothing beats the actual experience, of course (you can rent time on a longarm quilting machine—check with your local dealers and quilt shops!), but it doesn’t hurt to go in armed with a little friendly advice.
Plan your design or motifs before jumping in.
Just as you would when preparing to design your quilt tops, I recommend laying your finished quilt top out and studying it. You can search for quilting designs and motifs with a browser image search, on Pinterest, in books like 501 Quilting Motifs, on quilting websites… anywhere! I didn’t refer to my quilt top in its entirety before quilting it, just contemplated each row as a stand-alone quilting project, and later realized I would have quilted the smaller triangles across each row as one unit instead of separate units. Live and learn.
Practice your designs on paper first.
Before you put needle to fabric, try putting pen (or marker) to paper.
Draw as you would quilt. Meaning, position your paper how you will be framing your quilt. If it’s loaded on the quilt frame horizontally, draw your design as if you’re quilting across your quilt, side-to-side. This way, you get a feel for how you’ll be moving through your quilting. Loop-de-loops are a whole different animal when drawing them side-to-side instead of up and down. You’ll also notice the mistakes you’re inclined to make. My loops? They don’t always go in the same direction—I decided to practice those a bit more.
Drawing out your designs beforehand builds muscle memory—your brain becomes accustomed to that specific motor task through repetition. You’ll notice that it’s as if your muscles “remember” your designs once you start quilting. And, finally, practicing answers the following questions: 1) How will I continuously quilt so as not to break thread? 2) In what order and direction will I quilt my motifs? 3) Do I like how my motifs work together?
Heed the extra 8″ rule.
I thought I could get away with 6″ because… I’m unique? There’s a reason expert quilters recommend certain things. And, there’s a reason they’re the experts. So, when ZJ Humbach tells you to allow an extra 4″ on each side of your quilt backing and batting, you listen. It’s amazing how much your quilt backing and batting will start to disappear as you quilt. I got lucky and had just enough that everything worked out, but I don’t recommend living on the edge when it comes to finishing your quilts.
Start with free-motion quilting.
Pantographs and rulers are fun, but they take a bit more know-how than free-motion. My first experience with a longarm was amazing—I got to watch the lovely and talented Dawn Cavanaugh film her online Craft U class, APQS Longarm Certification, and then take her machine for a quick spin. BUT, it was also daunting because it involved quilting with a laser, from behind the machine, following a pantograph design. That was enough to turn me off of longarm quilting (I recklessly admitted defeat—bad quilter!) until I finally recovered enough to discover that free-motion quilting was heads and tails easier. And, now I’m hooked!
Try curves first.
I know, I know… quilters often refer to “curves” as if it’s a dirty word. Well, not in free-motion longarm quilting. I decided to quilt a straight braid around the outer border and quickly realized that retracing my stitches is easier said than done. When I revisit straight lines in my longarming, I’ll be using a ruler (specially made for quilting on a longarm machine).
Solid fabrics showcase your quilting.
So, if you’re not sure you want your quilting to be front and center, consider working with prints or batiks for your first round of longarm quilting. You’d think this would be common quilting sense, but this thought didn’t even cross my mind before I began. It was a bit of shock when I whoopsied across my solid piecing. Like I said, front and center.
Reframing your quilt mid-quilting is tricky.
Yes, I did this. I wanted to approach my borders from the side, so once I had the side borders and Flying Geese units quilted, I took the quilt off the frame, turned it 90°, and quilted the remaining borders. Finding the center of your quilt top after it’s been quilted is challenging. I had excess quilt backing and batting to contend with, so finding the center was more of a ready, fire, aim approach. When the name of the game is keeping things square, this might not be the way to go.
Don’t be afraid to make mistakes!
This is where I fall short. I want everything to be perfect before I even know what I’m doing. I ended up ripping out an entire row of stitches—I knew I would only focus on that row of quilting since I had decided to change my design for the remaining rows. For my own sanity, it had to be done. Stay calm and grab the seam ripper. A word of caution, however: ripping quilting is a bit more labor-intensive than ripping seams. It takes a while.
Relax your body. Your muscles and your quilt will thank you.
I channeled the great longarm quilter, Angela Huffman (she offers excellent online classes, including Longarm Fundamentals) while I was quilting, recalling her advice to relax the body when quilting. It is incredibly easy to tense up when you’re super focused and attempting to stay on track. But, tense quilting is hard on every part of your body and you’ll pay for it later. It also means that you probably won’t be longarm quilting very often because your body can’t withstand the aches and pains. Plus, your quilting pays the price. If you’re relaxed and calm (drawing out your designs prior to quilting helps here, too—it builds confidence), it will be reflected in your designs. If you could use a little help loosening up, we have great Quilting Ergonomics and No More Backaches webinars with Michael Engman (certified personal trainer and orthopedic exercise specialist).
And, the best piece of advice I can give…
Have tons of fun! It’s just the beginning…
There’s certainly more quilting to be done. A tremendously helpful resource, as you move forward in longarm quilting, is a series of articles called “Longarm Quilting Demystified with ZJ Humbach” in Quiltmaker Magazine. This informative series began with the May/June 2017 issue and has appeared in every Quiltmaker issue since. Keep an eye out for upcoming articles from this series in future issues.